VERNACULAR ARCHITECTURE AND REGIONAL DESIGN: Cultural Process and Environmental response. By Kingston Wm. Heath
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source: http://www.amazon.co.uk/Vernacular-Architecture-Regional-Design-Environmental/dp/0750659335 |
This book is more or less similar in nature to Lessons from Vernacular Architecture, however, it focuses more on vernacular architecture as a means of interpreting in-depth understanding of the characteristics of a regional setting. It includes chapters which are basically case studies of vernacular projects in various regions of the world.
There are two cases in this book that I would like to make reference to, the first of which is new Housing for rickshaw drivers in a community known as Vellore, Tamil Nadu, India. The process involved a team of workers including architects and planners and it also involved the Centre for Development (CEDMA) Tamil Nadu, India. The objectives of the project were to understand the social,cultural and economic characteristics of the community where the drivers lived with their families and in doing so, to understand the people of that community, their beliefs and practices.
Community members in vellore where all asked their opinions in regular design meetings regarding the planning of spaces. The design of home units was modular in the sense that it could be re-used and it was informed by the cultural and social analysis of the people and also, their contribution. The architecture of these housing units had to respond to the cultural complexities of Vellore hence some customs had to be respected, for example, toilets are usually not under the same block/roof as the other living areas unlike what in western cultures where toilets are integrated with the living areas.
The second case is that of the Visitor’s Interpretive centre in Namibia, also known as the Rock art centre which was designed by architect Nina Maritz who specialises in making the best use of local materials and recycled materials in her designs but is still able to design buildings with character and elegance.
The nature of the site is rocky, therefore, the architect decided to make the building blend with its surrounding and the materials used for its construction include rocks gotten from the site, recycled steel oil drums for the roofing slates and some walls, steel which is fabricated and clay bricks which are produced locally.
The is no form of cement or concrete used for the buildings construction, instead rocks are used to make gabion walls which act as the main supporting structure of the building. The curved surfaces of the recycled oil drums sliced in two and used for the roofing slates and their tops are utilised in some walls with some holes in them which create an interesting atmosphere.
The most valuable lesson learnt from this books is the fact that architectural responses are made to the very specific region and culture and this would be the most appropriate way of approaching the design in Danbushiya.